Artist Statement

My art is my voice, my expression, my self. My desire to connect with others through dancing and drumming is a deep and personal one. As a child, I could not speak with my voice outside of my home due to a debilitating anxiety condition called Selective Mutism, so performance became my primary method of communicating and connecting with others. Movement and music provide a web of avenues through which to engage with others and my artistic vision is to be truthfully and continuously exploring these paths, letting them morph and flow into the most authentic version of myself.

  • About Me
  • Performances / Works
  • Press / Publications
  • Taiko Classes

Listening Into Silence (2020, in-progress, Japan/Los Angeles)

Co-created by Carrie Alita Carter and Yeeman “ManMan” Mui

Listening Into Silence is an in-progress collaborative exploration of life with the invisible disability Selective Mutism (SM). The anxiety that causes SM is so severe that those who live with it cannot speak outside of their home, sometimes not at all. This piece draws from the artists’ personal experiences growing up multicultural, multilingual, and unable to use their voices; powerless to advocate for themselves as Black and Asian in America.

Taiko drumming, with its dynamic movement and powerful resonance, is a way to bring the artists’ inner voices to life, delving deeper into expressions beyond verbal communication.

織 Ori (2020 live performance, Japan)

Composed by Carrie Alita Carter

織 means “woven” in Japanese. It is part of Japanese societal culture for people to read situations and sense others’ feelings without direct verbal communication. Conversation is sprinkled with silence to allow for this, but sometimes seemingly, abruptly, ends. Participants initially follow a script, though occasionally call and respond to each other in gentle, structured improvisation, meeting together again on script before thanking each other and parting ways. Carrie’s vivid imagery in this taiko duet explores her experience weaving conversation in the context of Japan’s complex non-verbal communication system.

黎明 Rei Mei (2014 commission for Germany Taiko weekend intensive)

(video available on request)

Composed by Carrie Alita Carter (taiko)

黎明 means Dawn. This piece was written for the German taiko community, representative of the peaceful early mornings spent together training in taiko at the idyllic Bavarian castle, Schloß Buchenau.

刃 Yaiba (2012 live performance, DVD, and CD, Hong Kong)

Composed by Ryo Shimamoto, Arranged by Ryo Shimamoto and Carrie Alita Carter (taiko)

Yaiba, which means Knife, was composed by Ryo Shimamoto. This performance at the University of Hong Kong’s “A Musical Celebration” was in commemoration of the Music Department’s 30th anniversary and the university’s 100th.

鏡花 Kyoka (2011 live performance, Hong Kong)

Composed and Choreographed by Carrie Alita Carter

A reflection of mirrored flower petals. This piece debuted in the show “Convergence” by Hong Kong’s community-based all-women taiko group, O•Daiko, and is meant to represent the beauty and strength of women when we work together and support one another.

Tapcolab (2009 live performance, Japan)

Coming soon

Publications

The Unspeakable (2020 personal narrative, publication pending)

This non-fiction piece narrates Carrie’s personal childhood experience of police profiling in her own (predominantly white) neighborhood in the 80’s, while living with Selective Mutism.

“Taiko is My Voice” (upcoming 2021 article, Nishinomiya Culture)

Carrie’s work using taiko for Selective Mutism awareness has gained local attention. This upcoming article explains how living with Selective Mutism has affected her artistic process and her gratefulness for the support of Nishinomiya City.

Taiko Source Interview (2017)

During this interview, we talked with Carrie about her performance background, her experience learning, playing, and teaching taiko in different places around the world, and her blogging activities.

Inventing Taiko (2013 MPhil. Thesis, University of Hong Kong)

The main points of this thesis are to clarify the distinct reference to an historic past required to discuss taiko within Hobsbawm’s theory of invented tradition, to present individuals and communities involved in the formalization of taiko, and to consider what can be learned from the ordinary musician. All of these lead to a better understanding of the process of the formalization, or metamorphosis of taiko.

Press

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September 1, 2007 Susami-cho

This article (Japanese only) explains how Carrie’s passion for learning more about taiko brought Carrie and her husband to Wakayama, Japan.

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December 1, 2007 Susami-cho

This article (Japanese only) is a feature of Carrie’s performance (with Nick Timoshuk and Naoko Kita) at the Susami-cho Sports Day in 2007.

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Asahi Shimbun Feature Article

This feature article (Japanese only) discusses Carrie’s journey from tap dancer to an inspiring taiko performer. During her time living in Wakayama (2007-2009), she became an active performing member of the renowned taiko group Shippu Uchi Daiko, led by Ryo Shimamoto. Wishing to share her love of taiko with others, this article was written to help recruit new taiko students in her town who wanted to learn with her and build a new taiko community.

Upcoming Classes

Carrie is currently teaching small, masked, in-person classes in Ashiya, Nishinomiya, and Kobe, Japan. Private and group taiko and JABS workshops are available virtually, worldwide. Please email for more information.

* Carrie’s beginning taiko class sponsored by CHIC-Kobe has been postponed due to Japan’s recent state of emergency in response to Covid-19. If you would like to be notified when the class will be rescheduled, please inquire here.

Previous Classes

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Carrie Alita Carter